As Taylor Swift trades in her highly stylised stadium-pop sound for a softened, indie soundscape on her ‘quarantine album’ Folklore, the old Taylor is certainly not dead, as she declared on her 2017 revenge single Look What You Made Me Do. She’s simply hitting the same marks – heartache, rejection, self-sabotage, starry-eyed romance – from a more resigned perspective.
Much like a Beyoncé album, a Taylor Swift release is an event. Arriving...
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