Gordon Elliott peers at a high-definition screen relaying dramatic footage from the skies above. It is Christmas week, but there is no sign yet of the bleak midwinter as unseasonably mild weather facilitates filming.
Overhead, a drone hovers and then whizzes off into the distance, a pair of red lights marking its trajectory as the early morning gloom lifts. On the ground, it is almost as if you can detect a whirring from inside Elliott’s...
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