Edmund Enright was at a low ebb. Just three years previously, his record label had assured him that he was set to become Offaly’s answer to Bob Dylan.
Now he was without a contract, running out of money and apparently headed for the scrap heap.
‘‘All through that dark period, there was one particular song that I listened to over and over again,” he recalls. ‘‘Paul Westerberg’s It’s A Wonderful Lie summed up...
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