The Harvest By Jane McCarthy The New Theatre, Essex St East, Dublin Rating: *** Runs until June 2...
Certainly a crowd-pleaser and likely to be most effective with a big audience, so get along to Smock Alley and fill the place up.
Alex Martinez wrote The Rose of Jericho for the 2014 Edinburgh Fringe in protest against Britain’s 'jingoistic' centenary commemorations of World War I
If the makers of From Under the Bed ever want a snappy strapline for their posters, they might consider 'Waiting for Godot meets D’Unbelievables'
I See You By Amy de Bhrún Theatre Upstairs @ Lanigan’s Bar, Eden Quay, Dublin Rating: *** Runs...
At the heart of David Ireland’s remarkable play Cyprus Avenue lies a deadly serious question: has sectarianism become so deeply rooted in Northern society that some people simply cannot function without it?
On Raftery’s Hill is a truly horrifying portrayal of incest, repression and misogyny that arguably feels more relevant now than when it was first performed in 2000
A clever, stylish and hugely entertaining spectacle that hits the target with deadly accuracy
Benjamin Netanyahu's ultimate legacy will not be a more secure nation, but a deeply fractured Israeli society living behind walls
First performed at last year’s Dublin Fringe Festival, Normal is a drama that asks its audiences plenty of questions
The content of Factfulness can often be revelatory and convincing
Gerard Humphreys' work always has an earnest quality that deserves full respect
Lyrics has its fair share of blemishes – but driven by two hugely appealing performances at this intimate venue, it exudes a winsome charm that compensates for any thin patches